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SN 20.7PTS SN 2.2661 min read

The Drum Called Plugger

Āṇisutta

As an ancient drum has disintegrated, so too will the true teachings disappear.

Translated by Bhikkhu Sujato · Pāli: Mahāsaṅgīti Tipiṭaka · Public domain (CC0) via SuttaCentral

  • 0.1Saṁyutta Nikāya 20.7Linked Discourses 20.7
  • 0.21. Opammavagga1. Similes

0.3ĀṇisuttaThe Drum Called Plugger

1.1PTS 2.267Sāvatthiyaṁ viharati.At Sāvatthī.

1.2“Bhūtapubbaṁ, bhikkhave, dasārahānaṁ ānako nāma mudiṅgo ahosi.“Once upon a time, mendicants, the Dasārahas had a <em>mridangam</em> drum called the Plugger.11.3Tassa dasārahā ānake ghaṭite aññaṁ āṇiṁ odahiṁsu.When the Plugger cracked, the Dasārahas patched it with another plug.1.4Ahu kho so, bhikkhave, samayo yaṁ ānakassa mudiṅgassa porāṇaṁ pokkharaphalakaṁ antaradhāyi.Eventually, there came a time when the old wooden shell for the drumskin disappeared21.5Āṇisaṅghāṭova avasissi.and all that was left of the <em>mridangam</em> Plugger was a mass of plugs.

1.6Evameva kho, bhikkhave, bhavissanti bhikkhū anāgatamaddhānaṁ, ye te suttantā tathāgatabhāsitā gambhīrā gambhīratthā lokuttarā suññatappaṭisaṁyuttā, tesu bhaññamānesu na sussūsissanti na sotaṁ odahissanti na aññā cittaṁ upaṭṭhāpessanti na ca te dhamme uggahetabbaṁ pariyāpuṇitabbaṁ maññissanti.In the same way, in a future time there will be mendicants who won’t want to listen when discourses spoken by the Realized One—deep, profound, transcendent, dealing with emptiness—are being recited. They won’t actively listen or try to understand, nor will they think those teachings are worth learning and memorizing.

2.1Ye pana te suttantā kavikatā kāveyyā cittakkharā cittabyañjanā bāhirakā sāvakabhāsitā, tesu bhaññamānesu sussūsissanti, sotaṁ odahissanti, aññā cittaṁ upaṭṭhāpessanti, te ca dhamme uggahetabbaṁ pariyāpuṇitabbaṁ maññissanti.But when discourses composed by poets—poetry, with fancy words and phrases, composed by outsiders or spoken by disciples—are being recited they will want to listen. They’ll actively listen and try to understand, and they’ll think those teachings are worth learning and memorizing.2.2Evametesaṁ, bhikkhave, suttantānaṁ tathāgatabhāsitānaṁ gambhīrānaṁ gambhīratthānaṁ lokuttarānaṁ suññatappaṭisaṁyuttānaṁ antaradhānaṁ bhavissati.And that is how the discourses spoken by the Realized One—deep, profound, transcendent, dealing with emptiness—will disappear.

2.3Tasmātiha, bhikkhave, evaṁ sikkhitabbaṁ:So you should train like this:2.4‘ye te suttantā tathāgatabhāsitā gambhīrā gambhīratthā lokuttarā suññatappaṭisaṁyuttā, tesu bhaññamānesu sussūsissāma, sotaṁ odahissāma, aññā cittaṁ upaṭṭhāpessāma, te ca dhamme uggahetabbaṁ pariyāpuṇitabbaṁ maññissāmā’ti.‘When discourses spoken by the Realized One—deep, profound, transcendent, dealing with emptiness—are being recited we will want to listen. We will actively listen and try to understand, and we will think those teachings are worth learning and memorizing.’2.5Evañhi vo, bhikkhave, sikkhitabban”ti.That’s how you should train.”

2.6Sattamaṁ.

Translator’s notes

  1. The Dasārahas were probably the people known in Sanskrit as the Daśārṇa of the western Vindhya mountains.

    The mudiṅga is a double-headed drum known today as mridangam, which is still widely used in southern India. It is named for the paste (“mud”, today called the karanai) applied to one of the heads that gives it its distinctive snare-like tone (chapu). The skin is attached with a wooden rim tightened with leather straps.

    Āṇaka is another name for what is said to be a large military drum, which might be named after āṇi in the sense of “tuning peg”, a feature of the modern mardala. However, in this case, the context requires that the āṇi be a plug for patching the shell, after which the drum was named “Plugger”.

    ↩ sn20.7:1.2
  2. The pokkhara is the “drumskin”. The phalaka is the “wooden shell”, a single hollowed-out log from which the mridangam is constructed.

    ↩ sn20.7:1.4